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Obasi is First Miss Ikenga

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After beating 16 other contestants from the Igbo-speaking states of Enugu, Abia, Ebonyi, Anambra, Imo, Rivers and Delta, 18-year-old second year undergraduate of microbiology at the University of Port Harcourt, Joy Ngozika Obasi emerged the first ever Miss Ikenga.

The Abia State-born beauty queen went home with a brand new car, N500,000 cash reward and a return trip to Dubai.
Organised by Ikenga Entertainment and Awards, the highly contested pageant, which took place on Saturday, April 11 at the banquet hall of All Seasons Hotel, Owerri, was put together to promote the beauty inherent in the Igbo woman.

Breaking away from pageant culture of its nature, Miss Ikenga 2009 saw all contestants appearing in four different costumes (Igbo wrapper, Creative wear, Dinner Africana and Akwa Egwu) all made of apparels from the Igbo culture, just as the event did not feature any swimming suit or bikini.

After the initial round of four appearances, the 16 contestants were reduced to 10 based on the results of their respective performances, and later to five from among whom Miss Obasi emerged.

The remaining winners from the last group were Modesta Alozie from Abia State, a student of the Imo State University, who emerged as the first runner up (Miss Ihuoma), while Nneka Anyansi from Anambra State, a 300 level student of French from the Imo State University, was declared as the second runner up (Miss Agwaoma).

Other winners were Uchechi Akubiro, who is the new Miss Ukwuoma, while Ugochi Opara became Miss Akoluche. Apart from the cash prizes, Alozie went home with a return ticket to Ghana while Anyansi is to make a visit to the popular Obudu Ranch.

Speaking at the event, President of Ikenga Entertainment and Awards, organisers of the pageant, Chris Nwandu, affirmed that the overriding objective of the culture-oriented pageant was to showcase the intrinsic beauty of the typical Igbo woman.

Nwandu therefore called for the support of corporate organisations and the Igbo nation (Ndigbo) at large for what he promised to become the biggest annual beauty pageant in that part of the country.

With the support of telecoms giant, MTN and All Seasons Hotel, the maiden edition drew people from different walks of life, especially from the nation's entertainment industry.

Earlier in the day at the same venue, the First Ikenga Merit Awards were held. Fidelity Bank Plc went home with the Bank of the Year award, while Okey Nwosu, MD/CEO of Finbank was the Banker of the Year. Other winners were Emeka Mba, director general of the National Films and Video Censors Board (NFVCB), who won the Regulator of the Year award; Azu Ishiekwene of Punch Newspapers was named Journalist of the Year, while Kanayo O. Kanayo clinched the Movie Personality of the Year award. All Seasons Hotel got the Hotel of the Year award, while Abia State Governor, T.A. Orji was declared Ikenga Governor of the Year.
Sokoto State Governor, Aliyu Wamakko, received the Friend of Igbo award while Mr. Amadi Ogbonna of Vanguard Newspapers received a recognition award for his contribution to the entertainment industry in Nigeria.

Oriental Brothers International and People's Club of Nigeria received the Lifetime Achievement award.

Chairman of the event, former Senate President, Anyim Pius Anyim, was represented by Edwin Igbokwe chaired the event.
REF: Daily Independent Newspaper, Saturday, April 25, 2009 edition

‘Sexuality Education; Antidote for Rape’

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This Interview Was First Published in Daily Independent Newspaper edition of
Saturday, March 7, 2009, 2009By the same author under the same headline

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As a counsellor, psychologist and a mother, Celine Njoku, assistant secretary general of the Counseling Association of Nigeria (CASSON), reckons that the pervading scourge of child rape in the country has, to a great extent, been indirectly encouraged by the failure of the home front and the larger society to make young girls aware of some basic sexuality education.

She spoke with Reporter Oba' Adeoye on a whole lot of other things bordering on child rape. Excerpts:
In the past few weeks, the media have been inundated with reports of child rape all over the place...
[Cuts in]! It's everywhere, it happens everywhere and it is a sad development.
What are the basic factors, which you think are responsible for this rising trend?
There are many variables; many factors are responsible for this trend. One, these children are not aware of the degree of what is being done to them; they are not assertive, because if they were aware, it may not have reached this present rate. There are three types of assertiveness, assertiveness, an-assertiveness and over-assertiveness. A lot of these girls are unassertive; they don't know their rights. We would now go further to tell them that you can never be overassertive except during the time of rape.

What would you advise in such circumstance?
Talking about madness, aggressiveness, you bite the person, you shout, like it happened in the case of a recent victim. The girl had to use over-assertiveness and shouted. She had earlier told the people in their yard that, please, anytime you hear me scream, come to my rescue. The girls have to be aware of what is happening. The girls feel it's a normal phenomenon, just like abortion. They'll say if I get pregnant, I'll abort it. Just freely like that, they'll tell you innocently. When you now put in sexuality education, sexuality, which means the total behaviour of whom you are as a human being, and when you marry it with education, the person would now be aware of these useless things happening around us; abuses, rapes and the rest.

What are you saying in essence?
What I am saying is that most of our girls are unassertive, even married women. They don't know what they are doing; they don't know their rights. They don't know how to defend their bodies, which is the temple of God. If you are aware, you'll be sensitive to those body parts, like your breasts, your everything, you'll be proud because that's why we are the feminine gender; something beautiful, something precious, something to be adored. Then, when somebody makes to touch you in these areas, over-assertiveness can now come into the picture.

But, don't you think the family has a role to play?
The home has fallen. Everybody is looking for money. Even when you make this money and your children are morally deformed, what then is the essence of the money? Can you imagine that a lot of these girls cannot even talk to their parents?

What do you call this kind of practice where elderly men pick interests in little children?
It's a psychological disorder and it is called Paedophilia.

What is Paedophilia?
It is an abnormal condition in which an adult has a sexual desire for children. Pedo means small, while Philia means love. So, these rapists of underage girls are Paedophiles and they are abnormal.

Do you not think that the upbringing of these rapists has something to do with this abnormality?
Yes, and that brings me again to this issue of overcrowded areas and houses. If you have time, you just make a visit to any of these 'face-me-I-face-you' houses around. You'll find some jobless men of 65 years who are retired. You now see an unconscious woman, say, Baba Kola, Baba Ikechuckwu please help me carry this my girl. What do these men do to the babies? They finger them and practice all sorts of rubbish on these little girls.
The crime definitely has something to do with upbringing. Then, the environment, the level of the friends one keeps matter a lot. Some of these friendships are very deceitful, and thrive on myths, false beliefs. Imagine a boy coming up to say, my scrotum is paining me, perhaps he has a boil there. Then one of the friends would now ask whether he has a girlfriend, and if the other says no. The friend would now say, look if you don't take care, your scrotum would one-day bursts at the market square. That's myths! And from thereon, they continue to live with such myths and misconceptions.

What is the way out?
We should return to the background. The girls should be taught aright. Some of these girls don't even know how to dress, much less how to sit. Everybody should stand up and mothers especially should train up these girls the same way we were brought up. We should teach sexuality education.
Then again, we need to get out and talk about it everywhere, in the newspapers, on the television and on the radio.

…read more on the said edition of the newspaper

Lagos Stands Still for Eyo Festival

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This Article Was First Published in Daily Independent Newspaper edition of
Friday, April 24, 2009By the same author under the same headline

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History, culture, glitz, tourism and excitement among others would blend tomorrow, Saturday, April 25, 2009, in what is anticipated to be a perfect atmosphere of elevated funfair, as the government and people of Lagos host the world in a colourful Eyo festival. In fact, back at the middle of the week arrangements were at final stages for the official unveiling of the traditional, exclusively all-white masquerades known as Eyo to treat the international audience to an almost endless thrill.


The preparations which started some months back saw leading initiates of the Eyo fraternity presenting the governor, Babatunde Fashola with the traditional iconic staff of the masquerade, Opambata, at the State House, Marina last Sunday, April 19, 2009. The occasion, known as Ikapa, witnessed the offering of special prayers for peace and prosperity of the state. It was followed by similar ones with the other four Eyo conclaves participating. According to the order of presentation, the Alakete Pupa Conclave, Eyo Laba or the Royal Eyo, presented the staff to other prominent indigenes of the state on Monday while it was the turn of the Eyo Oniko Conclave on Tuesday. Eyo Ologede and the Eyo Agere Conclaves took turn to perform the same feat on Wednesday and Thursday respectively. Friday is dedicated to the arrival and reception of guests, especially international tourists who have indicated intentions to attend the festival.

Speaking at the Sunday edition, Tunde Balogun, Commissioner for Home Affairs and Culture observed that the Ikapa ceremony is a crucial aspect of preparations for the traditional festival. According to him, "It is traditional for them to come to pay homage to whosoever is the head in Lagos Island and the Governor happens to be the highest ranking person. They have come to do what is called the Ikapa ceremony which precedes the Eyo Festival"

Top Lagos musicians are expected to add extra entertainment value to the festival. Top on the list are K1 De-Ultimate, Wasiu Alabi Pasuma and some Agidigbo groups amongst others.

This special edition of the festival which runs on the bills of the State Government with a good dose of support from telecoms giant, Globacom, is to honour late Theophilous Owolabi Shobowale (T.O.S.) Benson, Nigeria's foremost Minister of Information, Broadcasting and Culture. Programmes of event have been scheduled to commence at exactly 8a.m. at the expansive premises of Tafawa Balewa Square (TBS), Onikan. The gate is free.

Expectedly, areas encompassing Lagos Island would inescapably get flooded with Eyo masquerades from different families while commercial activities shall be grounded to a halt. The characteristic heavy traffic of the Island would equally take a break on Saturday to pave clear routes for the Yoruba masquerades, reputed to be about 300 years old or thereabout.

To make the event a well-attended one, the state government had announced some days back, a complete waiver of fare on the Bus Rapid Transport (BRT) buses plying the route leading to the Island from anywhere in the state.

In similar vein, particularly for the purpose of ascertaining premium participation and performance of the masquerades, the Babatunde Fashola-led administration has revealed its packages of monetary rewards for the participants. According to information, the government disclosed at a meeting earlier that families with exceptional performances at the parade will be awarded N1 million, N750, 000 and N 500, 000 for first, second and third positions respectively.

Unlike earlier editions of the festival where participating Eyo masquerades only paraded the streets of Lagos without any formal coordination, this year's ceremony would feature all masquerades parading within the confines of a defined area. Hence, the characteristic disorderliness of the festival, which in the past, usually culminated into panic for Lagos residents shall have no place in tomorrow's festivities.

In fact, the State Government has guaranteed adequate security for the citizenry during the one-day event. According to Balogun, the government has put in place a machinery to ensure the security of people throughout the festival while special routes have been designated for the masquerades and others for visitors and tourists alike so that there would not be any unnecessary contact between the two.

According to him, "If you take the inner and outer Marina, you will not come in contact with the Eyo. If you come through the MUSON Centre towards the Tafawa Balewa Square, which is the centre of activities, you will still not encounter any of the masquerades."

Balogun, however, warned people wanting to watch the ceremony, to observe the rules of the traditional masquerades, which include not putting on shoes, carrying an umbrella or riding an Okada.

According to legends, the Eyo masquerade and later, festival as it is known today, is a culmination of what Ejilu and Malaki, both brothers to Olugbani, the Olori (Queen) to Oba Ado, the first traditional ruler of Lagos to have his seat of government at Iga Iduganran, brought to Eko in the yesteryears.

Oral records indicate that the two brothers organised some masquerades, precisely a retinue of Adamu Orisa including Adamu, Oniko and Ologede, for a ceremonial parade as their own contribution to the funeral of Oba Ado who had passed on. The objective was not only to add glamour to the funeral procession but also as a hounour to their deceased in-law. However, according to some historians, the trio, Oniko, Ologede and Adamu did not all appear on the Lagos scene simultaneously as Oniko arrived first, then Ologede and lastly, Adamu.

The order upon which the three masquerades were brought to Lagos has since been the order of their outing on each Adamu Orisa play-day. It is a taboo for Adamu to come out without due notification that Oniko and Ologede had earlier paraded the streets, and visiting the various shrines in the early hours of an Adamu Orisa Day.

It is necessary to state, for clarifications that what Ejilu and Malaki introduced or brought to Lagos were three Orisas (that is, Adimu, Oniko and Ologede) excluding the Eyo as it is had today.

The Adamu Orisa-play continued in Lagos even after the demise of the two brothers and their sister with the three Orisas as the only set of masquerades, but in a bid to further protect the three Orisas and control the surging crowd which had come to be identified with the festival, the idea of the present-day Eyo masquerade in white flowing robes (Agbada), clutching the trade mark iconic staff, Opambata was conceived.

With the approval of the then Oba of Lagos, the idea was implemented and a number of Eyos in white Agbadas came out on the Adamu Orisa Day at the Oba's Palace and six each were allocated to each Orisa for its security. The Eyo Group became known in later years as Eyo Oba, Eyo Laba or Eyo Alakete Pupa.

The late Chief T.O.S. Benson in whose honour tomorrow's festival is convened was a lawyer and first generation political leader. He was called to the English Bar at the age of 30 and immediately entered into the rough political terrain upon his return to Nigeria. He served as a member of the Lagos Town Council between 1955 and 1958 and also as a delegate to the Nigerian Constitutional Conferences in London in 1953, 1957 and 1958.

The late legal luminary was an elected member of the House of Representatives between 1951 and 1959 where he became Chief Whip between 1954 and 1959. He rounded off his public service as the Federal Minister of Information and Broadcasting until the First Republic collapsed on January 15, 1966. He was married to Chief Opral Benson, the Sisi Oge of Lagos.

The once-in-a-blue-moon tourists delight held last in 2003 as part of the passage rites of the late Oba of Lagos, Oba Adeyinka Oyekan as the traditional festival does not hold on an annual basis, as most other established festivals in Nigeria. The event only gets observed to hounour deceased prominent Lagosians or for the celebration of very special occasions or in welcoming globally acclaimed respected individual on a visit to the Centre of Excellence.

Meanwhile, all is now set for top soft-sell journal, Encomium magazine's Black-and-White Ball billed to hold on Sunday, April 26, 2009 at KFA Events Place, Lekki, Lagos. The event is scheduled to incorporate the presentation of 900-page, three-part, all-gloss compendia dubbed, A Decade Of Encomium, 1997-2007. The special publication is aimed at celebrating the best of Nigeria, capturing for posterity the flavours and colours of a definitive decade, in the process serenading the playmakers, most of whom are expected at the ball.

Scheduled along the lines of strict black-and-white dress code, the ball shall equally feature the duo of Kennis Music's Kenny Ogungbe (Keke) and Dayo Adeneye (D-one) as co-anchors of the special limousine champagne soiree, already arranged as part of the ball. According to the organisers, the showbiz gurus "will ensure that the champagne party sizzles and bubbles for as many guests as possible to enjoy the limousine's ride with their flutes dripping with champagne."

One unique thing that cannot be taken away from the much-anticipated ball is the magazine's publishers' creative decision to make it an all-round African flavour as exclusively African dishes would be served. It shall be a departure from the regulars, moving away from the norm at high-octane parties where continental dishes are favoured ahead of local delicacies.

Mama Ajasco: Unsolved Puzzle of a Thespian's Demise

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This Article Was First Published in Daily Independent Newspaper edition of Wednesday, February 18, 2009
By the same author under the same headline
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On Wednesday, January 28, 2009, the Nigerian entertainment community woke up to an unsettling 'rumour', possibly emanating from the pits of hell, or one dropping from the pen-tips of some press boys who would never mind their own businesses, only to poke nose into the affairs and lives of others and writing "all sorts of bad things against known people".

Many within and outside the entertainment circle obviously anticipated the 'evil rumour' to fizzle out, as soon as possible, but alas, the rumour remained and dumbfounded every interested individual.

It however took the SMS efforts of Prince Jide Kosoko, the National President of the Association of Nigerian Theatre Arts Practitioners (ANTP), to convince doubting Thomases, that indeed, Iyabo Momoh, a 53-year-old actress, who until recently had consistently and impressively played the role of Mama Ajasco in the popular Papa Ajasco and Company, a television comedy series, had passed on.

The momentous but unusually profound grief, which beclouded the entire industry and the initial disbelief, was understandable. Earlier on, in the New Year, three different cases of entertainers' death had been reported in the country. On Wednesday, January 21, 2009, a foremost actor in the now rested Village Headmaster, Chief Adeleke Ajao, popularly known as Kokonsari, died in very mysterious circumstances in his hometown, Iwo, Osun State. Also, Iyabo Alake, a female fuji musician with the stage name, Iyabo Osanle, died in Ibadan, Oyo State, of an ailment suspected to be tuberculosis. Further still, barely a month to his 84th birthday, Pa Benjamin Aderonmu, a music veteran popularly called Kokoro died in Lagos. These consecutive calamities undoubtedly made music lovers apprehensive when the news filtered in that Mama Ajasco had joined the three others on a journey across the sea. The literal reaction to the eventual reality could be captured thus: "Not again, within just a month!"

Momoh, who was fondly called Abeni Aworuru by her fans reportedly, gave up the ghost at a private hospital in Lagos the previous day, Tuesday, before the news started flying around the following morning. Although, she had since been buried at her Ikorodu residence in accordance with Islamic rites, what caused the death of the highly talented actress has come to constitute an unresolved puzzle to many observers, as different versions of stories have been emanating from different quarters, as regards what actually caused her death. From insinuations of elephantiasis, cancer to shock, the jigsaw puzzle could not yet carve out a unitary picture.

In an unconfirmed report, it was alleged that Mama Ajasco died from complications arising from a swollen leg disease suspected to be elephantiasis, which in medical interpretation, entails a gross enlargement of the arms, legs, or genitals to a very big, bogus size. According to the information, the late Momoh had been complaining of swollen legs shortly before her death. On the account of this, she was intermittently hospitalized between 2008 and early this year, until she breathed her last.

It was said that this health complication kept her away from the limelight for over a year before she finally died. Close associates and family members of the deceased, it was gathered, had made frantic efforts to bring her back to her acting career only for the recurring ailment to relapse recently and in the process of finding a lasting medical solution to it, Aworuru bid the world a painful farewell.

Yet another version of the story claimed that the actress actually ultimately succumbed to the cold hands of death after a protracted battle with unnamed type of cancer. This version was supported by one of her children, Fatimo, who disclosed that her late mother was recommended for surgery after some inexplicable lump was noticed in her tummy.

Fatimo said: "Because some inexplicable mole was noticed in her tummy, she was recommended for surgery. Within a period of five months, she was taken to the Military Hospital, Yaba, Lagos, and was later transferred to the Lagos University Teaching Hospital (LUTH), Idi Araba, Lagos, from where she was also transferred to the University College Hospital (UCH), Ibadan, Oyo State. The problem became a little complicated and was regarded as having spiritual undertone."

Peter Haruna, her son, corroborated what Fatimo said by admitting that their mother had been ill since August last year but the nature of her ailment was not specifically stated by the doctors.

"When the illness started in August 2008, I was in church when my younger brother called to inform me that he had taken her to the hospital. She was there for about five days and the doctors ran series of tests on her but could not tell us in clear terms what was wrong with her. They only said we had to treat her. The doctors said it was an attack. That was all they said. We spent about N500, 000 and they eventually gave us a letter to Idi-Araba. She was there for a while and she was later transferred to UCH in Ibadan. We still had to take her away from UCH to another private hospital in Lagos where she gave up the ghost," Peter narrated.

The failure of the physicians to categorically indicate the kind of disease which Momoh suffered, evidently gave rise to the perspective of likelihood of the ailment having "spiritual undertone."

The third account of Mama Ajasco's demise, however was more appalling than the other two. According to some sources close to the deceased, Momoh's death was wrought by the shock of betrayal from one of her former colleagues in the Papa Ajasco and Company series.

It was gathered that the recall of Abiodun Ayoyinka, the actor who played the role of Mama Ajasco alongside Momoh, by the creator and producer of the popular comedy series, Wale Adenuga (MFR), to continue with the title character and his (Ayoyinka's) subsequent acceptance, was said to be too shocking for Momoh's health. The shock, arising from this news of betrayal, according to a source, had a tremendous effect on Momoh and that aggravated her illness.

It would be recalled that the trio of Abiodun Ayoyinka, Iyabo Momoh and Bayo Bankole Boy Alinco were sacked by Wale Adenuga (MFR) sometimes in 2008 over what Adenuga termed "a breach of contract." The three actors had, without the prior knowledge and approval of Adenuga, made use of their trademark characters in a stage performance in Benin City, Edo State. The action fetched them the wrath of their boss, who was not ready for any explanation whatsoever from the trio. Adenuga's action had precedence. The three actors had been earlier forgiven for the same offence and warned against a repeat.

Actors who replaced them had not been as endearing to the audience of the self-styled No.1 comedy on Nigerian TV as the sacked actors. This possibly triggered a consideration of the readmission of Ayoyinka and others. However, in an attempt to pay Adenuga in his own coin, the trio decided not to honour any recall in whatsoever form, at least, for some time. They were said to have argued that even if such reconciliatory gesture from Adenuga was to be considered at all, it had to be an all-inclusive arrangement. None of them would return, it was agreed, except all of them were recalled.

However, recently, Ayoyinka reportedly threw the existing bond to the winds and considered a return to Papa Ajasco and Company. This, according to a source, came as a total shock to Momoh, who already was not thoroughly healthy.

Meanwhile, top of Iyabo's unfulfilled dreams has been identified to be her inability to complete her personal house, which she was, until her death, putting up in Ikorodu area of Lagos. She was buried on the site housing the building.

According to Mrs. Funmi Ojikutu, a neighbour of the deceased who claimed to have helped Mama Ajasco purchase the land, the late Momoh did not live up to 48 hours in the uncompleted building until she passed to the great beyond.

According to Ojikutu, "I encouraged her to buy a land here. In fact, I helped her in the purchase of the land and also secured the papers for her. When she was contemplating on how to go about the foundation, I advised her on what to do and even donated some materials towards it. But see what death has done. I don't think Mama Ibrahim lived up to two nights in this house. Oh, what a cruel death!" she said, pathetically.